Showing posts with label modernism. Show all posts
Showing posts with label modernism. Show all posts

Monday, November 03, 2014

The Avant Garde in Attitude: Fluxus The History of an Attitude by Owen Smith—Aesthetic Critical Theory from San Diego State University Press (SDSU Press)

What breaks against the mold of convention, society and traditional cookie cutter art, literature, film, and media? Fluxus the History of an Attitude. The book that shows how new avant grande movement has begun to develop and expand. The evolution making way to allow for new abilities of thought and expression while continually moving away from conventional thought, mainstream ideology, and break from the bonds of conformity that has long limited true freedom of expression.

Medias such as paint, clay, ink and canvas are stripped away by fluxus. Instead, deciding to use what is left over by the community, the trash and carbon footprints transform into art. This helps build an individuality without relying on companies to create mediums and tools for production of expression, taking away the chains that suggest their route of creativity.

Fluxus is a form which the group has described as “non-art” since they do not wish to be associated with the same constraints as traditional artists who follow rules, ready to please the masses and unable to think outside the box.

It takes an open mind to be able to find art in all things, especially ones that are new and test your ability to look for beauty in things you originally had never noticed due to their “traditional” uses. Such examples include furniture, office supplies, electronics, and other things that help your day run smoothly, things that are easily bought and discarded.

“Fluxus [is] serious about not being serious” (242)

Being serious is by society standards, not the fluxus standard. One can be serious about their art but not be serious about what society wants them to do with art or create with their talent.

Fluxus in 2014 has evolved, as intended. Art being one of the largest mediums for thought and the new fluxis kit's which are sold by artists, each kit is different and can be manipulated. Read Thing/Thought Fluxus Edition to see examples of the "kit".

One art show in 2014 at the Rush Auditorium at Florida Southwestern State College gave a fluxus show with improve opera, spoken word poetry, and for the finale a whipped creamed blow up alligator topped with cherries and nuts which the audience was allowed to partake a piece of the art with a chip. Read the full article here.

Fluxus has continued to invade society with its unique form of individual art, ideas and media. To take a closer look at fluxus check out the full critique and essays by following this link.


Tuesday, April 27, 2010

Speak kitschy to me, baby | Modernism Since Postmodernism: Essays on Intermedia

Don't deny it. We all use "kitschspeak" at some point, whether we are talking to a colleague or a friend. We're academics! Kitsch it what we thrive on! Modernism Since Postmodernism: Essays on Intermedia is the perfect companion for any kitsch convo. Dick Higgins, an incredibly influential Fluxus artist and author, finalizes his astounding analysis of all things "arty" he started in A Dialectic of Centuries: Notes Towards a Theory of the New Arts and continued with Horizons: The Poetric Theory of Intermedia. In the first part of the book, he tackles the history of art and how perceptions of theories have led to how art is approached today, as well as provides an appropriate definition of intermedial art. In the second part, he discusses intermedial music, particularly focusing on John Cage's monumental compositions. With no suprise, Higgins focuses on Fluxus in the third and final section of the book, defining, explaining and predicting the next step for this accidental art concept.

In the following video, Higgins discusses Fluxus.


Some of Higgins' art.
"Invocation of Canyons and Boulders"
Groovy.