Latinx Comic Book Storytelling: An Odyssey by Interview

The “eminent scholar of all things Latino,” Frederick Luis Aldama once again takes us into the world of Latinx comics with his new text Latinx Comic Book Storytelling: An Odyssey by Interview (9). In an intriguing and exciting collection of interviews spanning from Lalo Alcaraz and “La Cucaracha,” to Jamie Hernandez of Love & Rockets fame, to Cristy C. Road and Spit and Passion, Aldama’s compendium of experiences brings into focus the diversity of the Latinx comic tradition, one that runs the gamut from superheroes to political commentary to queer memoirs.

Aldama focuses specifically on the nature by which the authors find themselves participating in the creation of comics and to what effect their cultures influence them. It provides valuable insight into the minds that are currently constructing the Latinx comic tradition, a perspective necessary as the Latinx population is an ever-present one in the comic book market.

That being said, Aldama’s Latinx Comic Book Storytelling: An Odyssey by Interview is an insightful and entertaining experience for readers of all walks. It enlightens them to the writing process and history of many of their favorite comics while simultaneously providing an interesting cultural study in regards to the growing prominence of Latinx contributors to the comic medium.  Aldama’s text directly addresses the question of Latinx representation within the genre. As such, it provides an answer: “The time for waiting is over. Comics by and about Latinos are here to stay. The authors and artists featured in this book are living proof” (269). 

Laughing Matters: Conversations on Humor

In Laughing Matters (special edition), Ilan Stavans and Frederick Luis Aldama explore the meanings of laughter and humor through a series of funny, insightful conversations. The conversations focus on how laughter functions as a social tool. They also explore what laughter represents in different social situations. As it states in the preface, “our inability to tickle ourselves tells us about the psycho-social-implications of laughter.” Meaning that humor is not the only source for laughter. We laugh for various reasons. Many have to do with the social situations where humor might not even be present. Why do we want to laugh when social interactions become awkward? Why do we internalize our humor instead of saying all the jokes that come to mind?  

The book consists of five different chapters—the chapters function as shifts between the conversations dealing with different views on what laughter represents and what humor represents. The book opens with a clear summary to their themes and main points. The first chapter consists of funny exchanges between Aldama and Stavans on the sources of humor. They discuss the way humor is represented in media, art, and philosophy. The second chapter discusses ridicule—this chapter weaves their ideas of ridicule through religion, death, Cervantes, Plato, and several other subject matter. They dissect what they personally find funny as an attempt to understand why they laugh. Stavans then proves his expertise on Don Quixote of La Mancha. In this chapter, they discuss the issues with translating humor between cultures, race, and language. Chapter four introduces several ideas about jokes and why we laugh at them. They discuss the issues of racism  and prejudices found in jokes. Do we always have to be politically correct when it comes to jokes? Not always… especially, if you do a good job with the joke. They discuss what humor does to film and, again, talk about the issues with humor translating between languages and cultures. They provide concrete, relevant examples for the translation of humor. An informative discussion occurs on films like Casa de mi padre and Machete. Why was it so hard for people to find Casa de mi padre funny? Because its humor didn’t translate to the American audience. As Aldama argues, unless you are familiar with telenovelas or Mexploitation, then many of the jokes are going to go over your head (Video Clip of Aldama discussing Mexican filmmakers in the U.S. on MSNBC). The closing chapter dives into of taboo subjects and what might just be too offensive.They contemplate these issues and consider the consequences from offensive humor.

“Humor is a breather. It interrupts life as routine.”

If you are anything like me, you might have a hard time internalizing your laughter. I find myself laughing constantly making a joke out of pretty much anything. This book shed some light on what the laughter might represent. For me, the more uncomfortable the situation, the more I joke around. The more stress I have in my life, the more I find myself laughing with other people. Laughter is a social activity. It feels best around others. The conversations in Laughing Matters are loaded with different views on humor and laughter. Stavans and Aldama don’t leave any funny stone unturned. If you are curious how humor and laughter function in art, literature, and media, this book will answer all your questions. You will laugh and not cry… well, maybe tears of laughter. 


Ilan Stavans is Lewis-Sebring Professor in Latin American and Latino Culture at Amherst College. 

Frederick Luis Aldama is Arts and Humanities Distinguished Professor of English and University Distinguished Scholar at the Ohio State University. 


There are two editions to Laughing Matters:

Special Limited Edition Volume

& 

Regular Trade Edition