Thursday, February 27, 2020

Psychoanalyze With SDSU Press’ "Psychoanalysis on the Couch" Series and Lectures by Ralph R Greenson

How To Psychoanalyze Your Friends At Parties
From The Teachings of Ralph R. Greenson
by Abigail Jones

Photo by Eric Nopanen on Unsplash
Ralph R. Greenson
With the right drive and passion, going to school and getting a degree in psychoanalysis is well within the realm of possibility for most people.

What if, however, you could learn psychoanalytic techniques for as little as $20.

With just one book from SDSU Press's series, Techniques and Practices on Psychoanalysis from the lectures of Ralph R. Greenson (edited by Harry Polkinhorn), you can pull out psychoanalytic techniques that you friends will totally love. Who doesn't want to have a free therapy session?

All the techniques used are from the publication Techniques and Practices of Psychoanalysis, 4 by Ralph R. Greenson and edited by Harry Polkinhorn.  

1. Make sure your 'patient' gives up her/his emotional defense-- Surely, when your friend asks you, "What should I do about [event]?", they are asking for you to psychoanalyze them. Greenson's first step in a successful session with a patient is to lower their defenses, and his plan for this is to make the patient uncomfortable and educated. This will make them ultimately more comfortable with you and make analysis more accurate. Imagine:

Friend: I had such a weird dream, it made me so uncomfortable. I'm glad it was just a dream. 

You, educated from reading Greenson's work: Well, this is probably a bad time to tell you that whatever you dream are the desires of your hidden unconscious. 


2. Be careful in debunking the 'patient's' analysis of their own lives-- Of course your friends knows themselves better than you know them. However, they didn't read SDSU's "Psychoanalysis on the Couch" series and you did (at least I hope you did). Greenson says to broach the debunking of incorrect analysis carefully. You must not lie to the patient, but you don't want to disrespect another analyst or the patient themselves. Here is an appropriate way to broach the subject:

Friend: I looked it up and my dream was telling me to take risks. I think I am going to start that new job! 

You, an analyst: No, definitely not. 

3. The Trial Period-- Greenson looks at trial analysis, and its failure in psychoanalysis today. The idea is to make the first period of analysis a trial period. The analyst will looked at the patients responses and their psychosis to try and see if they are a good candidate for analysis. With your friends, every minute you spend with them can be the trial period until you finally understand them. Greenson warns that most analysts don't agree with this anymore because patients are resistant. Here's how to avoid your friend realizing they are on trial.

Friend: You know, lately I've been feeling like you have been putting me through an analytical trial.

You: Whaaaat? Me? No. 

4. How to analyze your 'patient's' secrets-- Greenson looks a lot at how to combat resistance in his lectures. One form of resistance he looks at is a patient who doesn't want to reveal something but will acknowledge that they are leaving something out. Now, wouldn't you say that -- for the most part -- when your friends want to tell you something, you seem to know what they want to say. Analyzing a friend puts you in a unique position, as you might have more insight into their lives than an analyst would. However, Greenson says it's best to circle around the topic without making the patient have to tell the secret. Here is an example;

Friend: I want to tell you something, but I can't. 

You: Why not! I haven't been friends with you this whole time for you not to tell me things! I tell you everything! It's only fair. 

http://bit.ly/rgreenson (GET A COPY HERE)
Congratulations! You have finished your first class in psychoanalysis, and you would not be here without Greenson's lecture. Go forth and psychoanalyze your friends.

A friendly reminder, however, that nothing in life is free and that reading the Techniques and Practices of Psychoanalysis series from SDSU Press can help you on your way.

The series offers inside transcriptions of Greenson's lectures, and is a deep dive into techniques that a skilled analyst may use.

It also, obviously, is not a replacement for actually going to school for psychoanalysis, but Greensons diverse manuals do offer an intriguing read and a fun new skill to hone.

Edit: Looking back now, having psychoanalyzed my friends for fun--I can tell you that the techniques offered by Greenson are great, but maybe we should leave this one to the trained professionals.

The Drones are Coming! The Drones are Coming! er ... The Drones are HERE! Check out Hyperbole Books's New Cultural Studies Masterpiece, DRONE VISIONS by Naief Yehya

Monday, February 24, 2020

Starting the Conversation: Daniel A. Olivas's "Things We Do Not Talk About"

by Madison Cappuccio

"I learned that a short story is like a poem: each word, every sentence, has to matter."

- Daniel A. Olivas




In his collection, Things We Do Not Talk About: Exploring Latino/a Literature Through Essays and Interviews, readers follow Daniel A. Olivas down the rabbit hole that is the empowering process of writing; they also get to witness Olivas's becoming as a Latina/o/x author. The experiences of twenty-eight esteemed authors, including Salvador Plascencia, Gustavo Arellano, and Reyna Grande, are documented through enlightening interviews that are quintessential for new writers. Through these essays and interviews, Olivas invites his audience to travel in time--readers encounter the roots of Chicano culture and the oppressive stigmas that have inhibited the welcoming of Mexican-American excellence in writing and beyond. The author calls upon Latino creatives to use the power of language to initiate widespread Chicano representation and breakdown America's wall of bigotry. Olivas's sharing of stories, coupled with his expertise in law and literature, encourages readers to examine the relationship between justice and reality. You will be tasked with the challenge of opening your eyes to a mirror of stories that reflect the ugly truth of living in a blind society. Join the RevolutionÚnete a la revolución and learn more about the movement supporting the Latino community's resilience by getting your hands on a copy of Daniel A. Olivas' awe-inspiring anthology Things We Do Not Talk About here.

Saturday, February 22, 2020

Fluxus, by Owen Smith, from SDSU Press #fluxus #dada #avantgarde

Wednesday, February 19, 2020

Dance in/on/with/through the Border with SDSU Press!

Wednesday, February 12, 2020

El Norte the Us-Mexican Border in Contemporary Cinema: The U.S. - Mexican Border in Contemporary Cinema -- SDSU Press

David R. Maciel is a professor of history at the University of New Mexico whose books include Aztlán: Historia del pueblo chicano and El Norte: The U.S.-Mexican Border in Contemporary Cinema. Isidro D. Ortiz is an associate professor of Mexican American studies at San Diego State University and editor of the book Chicanos and the Social Sciences 1970-1980: A Decade of Development. María Herrera-Sobek is the Luis Leal Endowed Chair and Professor of Chicano/Chicana Studies at the University of California, Santa Barbara.



Description 
Now back in print through a joint arrangement between the Institute 
for the Regional Studies of the Californias and San Diego State 
University Press, David R. Maciel's El Norte: The U.S./Mexico Border in Contemporary Cinema remains a pathbreaking study of cinema from and focused on both sides of the United States/Mexico border. Originally released in 1990, it is now made available again for a new generation of Latinx cinema scholars and the general public.
  •  
  • Series: Border Studies Series
  • Paperback: 95 pages
  • Publisher: San Diego State University






Wednesday, February 05, 2020

A Direct Blog Posting FOR SDSU Press Present and Former Interns and Editorial Associates!

Saturday, February 01, 2020

SDSU Press's Psychoanalysis on the Couch Book Series: Post Freud Studies for a Post Freud World



SDSU Press's Psychoanalysis on 
the Couch Book Series 
Ralph R. Greenson's Legacy
Abi Jones 

Among 100+ publications of San Diego State University Press, you’ll find a large number of publications penned by highly noted authors. None so interesting, and overlooked, as the publications of Ralph R. Greenson. Greenson’s training seminars are edited by noted Psychoanalyst (and former director of this Press!) Harry Polkinhorn and published by SDSU Press with the "Techniques and Practice of Psychoanalysis" series title and with the Psychoanalysis on the Couch imprint.

Born on September 20th, 1911, Greenson had to travel to Switzerland to gain his education as he was not allowed to study at American universities due to anti-Semitic policies at the time. What is most remembered about Greenson in American popular culture is his affiliation with Marilyn Monroe. He was her therapist and is mentioned in various conspiracies regarding the actress's death. After his own death, Greenson’s wife opened his personal library. This library included transcriptions of his influential lectures. The transcriptions of his training sessions provide an extensive overview of psychoanalysis and are educational psychological novels that cannot be overlooked. 

We have praised the work of Sigmund Freud (he of the cigar) and Ivan Pavlov (he of the drool), critiqued and discussed the likes of Philip Zimbardo, but, then, why should we leave Ralph Greenson to the likes of Bigfoot-hunting and Flat Earth-loving conspiracy theorists. Why? Since 2006--when the first publication of these lectures were released--psychologists, students, and scholars have been able to read professional training lectures by someone who left an indelible mark on West Coast (and American) Psychoanalysis. SDSU’s published series “Techniques and Practice of Psychoanalysis” offers a new lens on classic teachings. Go out and get your own copy today!

AVAILABLE HERE → http://bit.ly/rgreenson

Friday, January 31, 2020

Drone Visions! An International Feat of 21st Century Cultural Studies Focused on Science Fiction and our Surveilled Futures!


Some pictures from the volume
Click to enlarge!









Thursday, January 30, 2020

Tijuana 1964: A Photographic and Historic View/Tijuana 1964: Una Visión Fotográfica e Histórica -- SDSU Press

Tijuana 1964: A Photographic and Historic View/Tijuana 1964: Una Visión Fotográfica e Histórica {Commemorative Edition} Paperback – 2014


Paul Ganster (Author)
David Pinera Ramirez (Author)
Antonio Padilla Corona (Author)
Ruth Ramirez/DDO Producciones (Designer)

Take a deeper look inside



Tijuana 1964: A Photographic and Historical View, was designed to present the remarkable photographs taken in Tijuana in June 1964 by Harry Crosby. The book was published in 2000 and included an essay by historians Paul Ganster, of San Diego State University, and David Piñera Ramírez and Antonio Padilla Corona, both of the Institute for Historical Research at the Autonomous University of Baja California in Tijuana, that set the context for the photographs. The book included 42 photographs in addition to the front cover and the back cover. The publication of Tijuana 1964 
was accompanied in October 2000 by an exhibit 
of selected images organized by Tijuana's Casa de la Cultura.



By 2013, the participants in the original publication, which has long been out of print, realized that the 50th anniversary of the photographs was fast approaching. Pedro Ochoa Palacio, Director General of the Tijuana Cultural Center (CECUT), suggested that his institution might be interested in collaborating on a new edition of Tijuana 1964 and the participants in the first edition responded enthusiastically to the proposal.


The second edition, or the Commemorative Edition, differs from the first in a number of ways. Most importantly, the new publication includes 20 additional photographs and also replaces three of the original images due to technical reasons, for a total of 23 new photographs. All of the additional photographs were made by Harry Crosby during the same two-week period in June of 1964, as those in the first edition. Also, the Commemorative Edition has a revised text that sets the context for the photographs and also provides a discussion of the changes that are evident in Tijuana after 50 years.


Saturday, January 18, 2020

Tuesday, January 14, 2020

Coming January 20, 2020 from SDSU Press! DRONE VSIONS by Naief Yehya! #drone #drones #surveillanceculture

Thursday, December 12, 2019

Just in Time for Christmas for that Favorite SDSU Alum in Your Life!

Wednesday, December 11, 2019

Modular Approaches to the Study of the Mind by Noam Chomsky -- Fresh off the SDSU Press

Modular Approaches to the Study of the Mind

By Noam Chomsky 

Hardcover and Paperback - 1st Edition

About the Author


Noam Chomsky was born on December 7, 1928, in Philadelphia, Pennsylvania. He received his Ph.D. in linguistics from the University of Pennsylvania and began teaching at the Massachusetts Institute of Technology in 1955. Widely published, he's considered a father of modern linguistics. Chomsky spoke out against U.S. involvement in the Vietnam War and has continued to publicly criticize U.S. foreign policy. American theoretical linguist whose work from the 1950s revolutionized the field of linguistics by treating language as a uniquely human, biologically based cognitive capacity. Through his contributions to linguistics and related fields, including cognitive psychology and the philosophies of mind and language, Chomsky helped to initiate and sustain what came to be known as the "cognitive revolution."


Description
Noam Chomsky uses the historical background and nature of cognitive psychology to enable us to better understand several important problems of human thought and perception and the interrelationship of the body and the mind. Chomsky also gained a worldwide following as a political dissident for his analyses of the pernicious influence of economic elites on U.S. domestic politics, foreign policy, and intellectual culture. This book brings scholars into the cognitive science mode of thinking about the logical nature of language and the discrete nature of its elements as applied to linguistic study.